Lisa Federico

Lisa Federico’s intentions for starting her travel business were similar to Walt’s intentions for Disneyland: her two children. While working for a small travel agency, Lisa wanted a way that she could work and make money, while having the time to spend with her boys, and that is how Academy Travel started. Lisa created her business and did it all from home, and just like Walt who created a place for others to be able to enjoy with their families, Lisa created a business that allowed others to work from home; allowing them to make money while having more time with their families. ~ “Scott Wolf, Disney Historian”

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Im really trying

I was born in 1966. Grew up in the 80’s. Began a career in accounting, marketing and direct sales in 1986. But in 1993 everything changed. As a young mother I became very ill, and working became difficult. While recovering, and after my second child, I decided working from home was best for me. This was the 90’s, before websites, before social media and in a time a home-based travel agent was non-existent. But I did it, and not only did I excel as a travel agent, I started my own company and grew it to be an Authorized Disney Vacation Planner with the designation DIAMOND level by the Walt Disney Travel Company. 25 years, top tier.

During 25 years I watched paper airline tickets go to e-docs, After 911 I experienced brick and morter agencies close, and ultimately go to home based. Bringing to the travel industry a new online presence, and the birth of the “outside sales agent”. The birth of social media, digital marketing and more computer than I could keep up with. Fast forward to today, you can imagine how building a website, 25 years later, can be a bit challenging for me. Oh I have a web designer, actually I have two. My main web designer, Ryan, is working on 21 projects that need to be completed in 7 days or less. So I thought id jump in. Its been 2 whole days, one whole bottle of wine and I still cant manage to post a photo.

I’m trying! ~ Let’s see how this goes (I’m sure with much help from Ryan!)

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A look back at how book reviewing has changed

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

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Mein allererstes portable Wimmel-Bilderbuch

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

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Gerard Way celebrates release of new book in Instagram post.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

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How to write a book: literary dos and don’ts.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

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Books for Left-Brained Readers

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

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Characterized by full-spread drawings.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

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A book is body of immaterial representations or intellectual object.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

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Teen book club hosts author who’s all heart.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

A book is both a usually portable physical object and the body of immaterial representations or intellectual object whose material signs—written or drawn lines or other two-dimensional media—the physical object contains or houses.

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one longer side (either left or right, depending on the direction in which one reads a script) tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material so that, when the opened front cover has received a massy enough stack of sheets, the book can lie flat. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle’s Physics is called a book, as of course the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

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